I contributed a chapter to the anthology FANPIRES: Audience Consumption of the Modern Vampire edited by Gareth Schott and Kirstine Moffat. The chapter that I co-wrote with Jennifer Jenson entitled “Buffy vs. Bella: The Re-Emergence of the Archetypal Feminine in Vampire Stories” explores the differences between Buffy Summers from the popular TV series Buffy the Vampire Slayer and Bella Swan from the Twilight saga. This chapter further explores how the narratives of each fictional universe can limit or expand the way fans interact with each character.
This collection of essays addresses the renewed interest in the cultural resurgence of the vampire, evident across a broad range of literature, film, television, graphic novels, and games. The appeal of vampire mythology and its associated folklore for modern audiences is examined in an age characterized by the transformative possibilities of the internet with both its low barriers to artistic expression and the erosion of the boundaries between author and audience in terms of the construction of narrative, character and fictional universes. This collection examines how audiences respond to and “use” the vampire in their own practices. From evil villains to tragic heroes, modern appropriations of the vampire, evident in popular manifestations such as the Twilight saga and the televisual adaptation of The Southern Vampire Mysteries (True Blood) are noted for their focus on the everyday. These vampires are found nested within communities, seeking to temper their urges and coexist with humans.